I WILL START A REVOLUTION FROM MY BED
Fashion, TIME ISSUE
Mariana Maltoni and Ron Hartleben draw tones à la Nabokov for our tenth cover, where Agnese Furlanis becomes the image of the post-digital age and retrotopia for TIME issue no.03
Fashion, TIME ISSUE
Mariana Maltoni and Ron Hartleben draw tones à la Nabokov for our tenth cover, where Agnese Furlanis becomes the image of the post-digital age and retrotopia for TIME issue no.03
AMORE ISSUE, Fashion
PHOTOGRAPHY Markus Jans STYLING Jeanna Krichel for AMORE issue no.02
AMORE ISSUE, Culture, Music
The story of Italo disco is not as easy to pin down as its signature sound, with its synths and sequencers, its widely hailed Messrs. Moroder and Flagio, and its simple, unadulterated exuberance. For many, the phrase Italo screams 80s. Yet, before becoming the globally exported phenomenon many remember it as today, the roots lie in Italian disco. A sensuous, sentimental, lavish thing that dominated the mainstream pop culture of Italy, occupying prime time slots on RAI 1, the national broadcaster.
AMORE ISSUE, Essays
Stalincrack or Stalingrad ? Find out more on AMORE essay no.02
AMORE ISSUE, Fashion, Interview
Veronica Ferraro for AMORE issue no.02
AMORE ISSUE, Fashion, Interview, Music
The Libertines shot by Jonathan Vincent Baron, styled by Jack Appleyard & interviewed by Nicolò Michielin for AMORE issue no.02
AMORE ISSUE, Fashion, Interview
Stefano Pilati, one of the most iconic Italian fashion designers, shot by Ronald Dick and interviewed by Nicolò Michielin for AMORE issue no.02
AMORE ISSUE, Fashion
PHOTOGRAPHY Sam Nixon STYLING Ron Hartleben for AMORE issue no.02
AMORE ISSUE, Interview, Music
Tea Hačić-Vlahović interviews Nicola Guiducci from Plastic, for AMORE issue no.02
AMORE ISSUE, Fashion
Is there any point in going back to the physical fashion show presentations, which are expensive, exclusive, and often not very environmentally sustainable?
Culture, Fashion, TIME ISSUE
Gianluigi Ricuperati explains us why "almost classic" is the perfect way to describe the Armani legacy on our TIME issue no.03
AMORE ISSUE, Fashion
PHOTOGRAPHY Sean Alexander Geraghty STYLING Ramona Tabita for AMORE issue no.02
AMORE ISSUE, Interview
Hans Ulrich Obrist in conversation with Alda Merini for AMORE issue no.02
AMORE ISSUE, Essays, Film
Horror is a cinematic language of extremes, and the genre that most effectively mines the collective unconscious. It is no wonder that love and relationships, the causes of many of our most extreme emotions, so effectively dovetail with a form that might seem worlds apart from romance.
AMORE ISSUE, Photography, Poem
The most visionary artist among the exponents of the Transavanguardia, Enzo Cucchi, shot by Guido Gazzili for AMORE ISSUE no.03
AMORE ISSUE, Photography
A polaroid series by Julian Klincewicz for AMORE issue no.02
AMORE ISSUE, Fashion, Music
European Vampire by Theo Soyez for AMORE issue no.02
AMORE ISSUE, Fashion
Ola Rudnicka in an all Valentino special by Driu & Tíago for AMORE issue no.02
AMORE ISSUE
A Love Letter by the Editor-in-Chief is the best way to introduce you to the new AMORE issue no.02 <3
Art, Interview, TIME ISSUE
An epistolary exchange with visual artist Francesco Vezzoli by Luca Lo Pinto, artistic director of MACRO for TIME issue no.03
AMORE ISSUE, Photography
Photos by David Luraschi from the special booklet "TOUT POUR L'AMOUR" for AMORE issue no.02
AMORE ISSUE, Art, Design
Meet the artist turning McDonald’s paper bags into mesmerizing light sculptures for AMORE issue no.02
AMORE ISSUE, Art, Culture, Interview
INTERVIEW Gloria Maria Cappelletti IMAGES co-created by Vittorio Maria Dal Maso and Stable Diffusion for AMORE issue no.02
AMORE ISSUE, Art, Interview
Bijanca Bacic interviewed by Antonia Schmidt for AMORE issue no.02
AMORE ISSUE, Fashion, Interview
Rondo for AMORE issue no.02, shot by Lera Polivanova, styled by Ramona Tabita & interviewed by Nicolò Michielin
AMORE ISSUE, Fashion
PHOTOGRAPHY Gabriele Rosati STYLING Fabio Pace for AMORE issue no.02